Section
Box Office
Box office results and admissions from every major territory, with the context behind the numbers.
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Chiikawa takes 44.7% of Korea’s weekend as Paradise Lost opens third
The Japanese anime passed 2.2 million admissions in its fourth weekend. Two Korean films finished 1,543 tickets apart in a market that shrank week on week.
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Resident Evil holds No. 1 in China for a third weekend as the market falls to $18.6m
The Constantin–Sony reboot took 30% of a thin post-holiday weekend. China’s year to date is running 29.1% behind 2025, and no new release has yet broken the lull.
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Clayface opens at No. 1 on $24m, and A24’s 3-hour documentary rises 25%
Sunday estimates put the DC horror ahead, but You Can See Everything made more in its second weekend than its first. Monday actuals and Halloween are the next tests.
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North American cinemas report $2.7bn spent on refurbishment
Cinema United puts two years of reinvestment at $2.7bn, the trade body’s own figure, as exhibitors try to make the room worth the ticket.
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Korea’s 73% week: local films retake the top two, and Tazza passes 2 million
Domestic films took 73.1% of the late-September week. Five weeks on, Tazza: The Song of Beelzebub has crossed 2 million admissions.
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Endgame’s reissue opens to $86m, and 70% of it came from outside North America
The Avengers: Endgame re-release took a reported $86m worldwide, most of it abroad. A month on it has reached about $142m.
