Tuesday 10 November 2026

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Busan competition drama Laut Bercerita passes 1 million admissions in Indonesia in 11 days

Yosep Anggi Noen’s adaptation of Leila S. Chudori’s novel is the 20th Indonesian film past the mark this year, and it led the market for two straight weeks in a season usually owned by horror.

A young man in a striped shirt stands and speaks to a crowded room of seated students in a still from Laut Bercerita

A meeting of the student discussion group at the centre of Yosep Anggi Noen’s Laut Bercerita (The Sea Speaks His Name, 2026). © Pal 8 Pictures. Courtesy of Busan International Film Festival

Laut Bercerita (The Sea Speaks His Name), Yosep Anggi Noen’s drama about student activists who vanished in the last years of Suharto’s New Order, has passed 1 million admissions in Indonesia after 11 days on release. Cinepoint, which compiles Indonesian cinema data, put its total at 1,015,775 by Sunday 8 November. Its producer, Pal8 Pictures, said on Monday that it is the 20th Indonesian film of 2026 to reach the mark.

The milestone itself is not rare: Indonesian films have now reached it 20 times since January. What is rare is the film that got there. In Indonesia, local horror routinely takes the biggest openings; Laut Bercerita is a political drama that premiered in competition at Busan less than three weeks before release, and it topped the market in each of its first two weeks. It is Pal8’s first feature and the first film of Yosep’s career to sell a million tickets.

Key facts

  • Laut Bercerita passed 1 million admissions on its 11th day; Cinepoint puts the total at 1,015,775 to 8 November
  • Opening run, Thursday 29 October to Sunday 1 November: 534,199 admissions, 180,292 of them on day one, according to the film’s official account
  • Second week, 2–8 November: 481,586 admissions and No. 1 again, according to Cinepoint
  • Average daily admissions fell 48.5% from the opening run to the second week (FilmBunch calculation)
  • The database filmindonesia.or.id showed 1,008,311 on 10 November, 7,464 below the Cinepoint figure

How the run built

The film opened on Thursday 29 October with 180,292 admissions, a third of the 534,199 it drew over its first four days. Radar Kudus, reporting the Cinepoint figures, said that first day made it the first non-horror title to enter this year’s list of the strongest opening days for an Indonesian film. Over the Friday-to-Sunday weekend it sold about 356,000 tickets, Patrick Frater reported in his Asia box-office newsletter on 2 November, and on his numbers it outsold the next two films combined across the four days. The nearest rival, the horror title The Doll: Ghawiah, took about 170,000 over the same four-day opening.

The second week added 481,586 admissions. Spread across seven days rather than four, that is roughly 69,000 a day against 134,000 in the opening run, a 48.5% fall in the daily average. Added together, the two periods give 1,015,785, the total Radar Kudus carried from Cinepoint, ten more than the 1,015,775 Cinepoint total that other outlets quoted on Monday.

It also got there faster than the last local title to cross the line. The horror sequel Kuasa Gelap: Perjanjian Darah, the 19th Indonesian title past a million this year, needed 17 days after its 8 October release.

The director, cast and producers of Laut Bercerita raise their fists behind a press-conference table at the 2026 Busan International Film Festival
Yosep Anggi Noen, Dian Sastrowardoyo, Christine Hakim, Gita Fara, Reza Rahadian and Budi Setyarso at the Busan International Film Festival press conference for The Sea Speaks His Name (Laut Bercerita), 11 October 2026. Photo: 1treeinaforest / CC BY-SA 4.0, resized

Two counts, one milestone

Indonesian admissions are counted in more than one place. Producers announce their own totals, Cinepoint compiles figures from cinemas, and the long-running database filmindonesia.or.id keeps a count of its own. On Tuesday morning the database listed Laut Bercerita at 1,008,311, about 7,500 below Cinepoint. Both put the film past the million. They differ on how far past it, and gaps of that order are normal when titles are compared across sources.

Where it stands in 2026

The year’s leader is MD Pictures’ horror Danur: The Last Chapter, with 3,619,565 admissions, Tabloid Bintang reported on 10 November. Two autumn releases are further along: filmindonesia.or.id lists the family drama Ibu, Bagaimana Aku Tanpamu? at 1,376,925 since its 24 September release, and Kuasa Gelap: Perjanjian Darah at 1,229,281. On the database’s count, Laut Bercerita sits about 369,000 admissions behind the first and 221,000 behind the second, as its third week begins.

The film and its backers

The film adapts Leila S. Chudori’s 2017 novel, published in English in 2020 as The Sea Speaks His Name. Reza Rahadian plays Biru Laut, an English literature student in Yogyakarta who joins a discussion group devoted to banned books in 1991 and is later seized and disappears; Dian Sastrowardoyo, Christine Hakim and Yunita Siregar co-star. Chudori wrote the screenplay with the director and produced with Gita Fara and Budi Setyarso, who runs Pal8.

Pal8 Pictures, a production company within the Tempo Media group, made Laut Bercerita with VMS Studio, Jagartha, Lynx Films and Brandlink. The film had its world premiere in the Competition section of the Busan International Film Festival in October, where Variety’s critic tipped it for interest from arthouse distributors abroad. Pal8 also handles its world sales, according to the festival’s listing.

“It was a long journey, and not always an easy one, but we made it believing this story was worth fighting for,” Budi said in a statement carried by Medcom.id and JawaPos. “There are memories that must be kept, and things we must not forget.” (Our translation from Indonesian.)

Our reading

This year’s biggest Indonesian openings have belonged almost entirely to horror. Laut Bercerita shows that a festival drama with a hard historical subject can open on that scale when it rests on a book with a large readership; Teknogav reported in February that the novel had gone through 133 printings across its editions since 2017. For buyers and sales agents weighing Indonesian prestige titles, the practical point is that the home market can carry such a film commercially before a single foreign territory has been sold.

The test is the third week. A second-week daily average about half that of the opening is a normal shape for a front-loaded release, and the hold from 9 November will show whether the film can push on towards the 1.2 million to 1.4 million that those two autumn hits have reached, or stall not far past the mark. We will report the Cinepoint and filmindonesia.or.id counts side by side until they converge.

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