Tuesday 3 November 2026

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China’s October box office falls 22% to RMB2.05bn ($308m); Golden Week fails to lift year

The official monthly report puts takings at RMB2.047bn ($308m), with Chen Sicheng’s Traces of Justice leading a thin chart. Admissions fell by the same margin; screenings rose.

An investigator in period uniform studies a document in a still from Traces of Justice

A still from Chen Sicheng’s Traces of Justice (神探之痕迹), October’s top film in mainland China. Courtesy of Far East Films

China’s mainland box office took RMB2.047bn ($308m) in October 2026, down 21.6% from RMB2.612bn ($393m) in October 2025, according to the official monthly report published on 2 November by the China Film Data Information Network (zgdypw), the public face of the National Film Administration’s ticket data. Chen Sicheng’s crime drama Traces of Justice (神探之痕迹) led the month with RMB651.9m ($98.0m).

Key facts

  • October 2026: RMB2.047bn ($308m) from 55.88 million admissions and 7.37 million screenings (zgdypw monthly report, 1–31 October)
  • October 2025: RMB2.612bn ($393m) from 71.31 million admissions and 7.21 million screenings (zgdypw monthly report for that month)
  • Year-on-year: takings −21.6%, admissions −21.6%, screenings +2.2% (our calculation from the two official reports)
  • Month leaders: Traces of Justice RMB651.9m; Resident Evil RMB468.8m; Mr. & Mrs. Pardon RMB389.7m
  • Dollar figures use the ECB reference rates for 30 October 2026 (RMB6.65 per dollar)

The fall matches the pattern already visible in company filings. China Film Co.’s third-quarter report put January–September national takings at RMB29.68bn, about 29% below the same months of 2025, as we noted in our Shanghai Film results. Adding October’s official RMB2.047bn brings the year to about RMB31.73bn through 31 October. Caixin, citing the special film-funds office, called October the weakest in a decade and put the month at RMB2.046bn on that tracker; the official monthly report rounds to RMB2.047bn.

The month’s chart

Golden Week at the start of October usually does the heavy lifting for the month. This year the holiday titles stayed on top for the whole of October, and little else arrived behind them.

RankFilmOctoberAdmissionsCumulative
1Traces of JusticeRMB651.9m ($98.0m)18.3mRMB652m
2Resident EvilRMB468.8m ($70.5m)11.7mRMB469m
3Mr. & Mrs. PardonRMB389.7m ($58.6m)11.2mRMB390m
4Once Upon a Time in the Middle EastRMB85.9m ($12.9m)2.7mRMB2.39bn
5Rebirth 2RMB70.5m ($10.6m)1.9mRMB70.5m
6All Wishes Come True!RMB68.3m ($10.3m)1.9mRMB2.06bn

Source: zgdypw monthly report. Cumulatives for the October openers are effectively the month’s take; the two summer holdovers still show billion-renminbi career totals. An Avengers: Endgame premium reissue took RMB47.5m in the month, and Peppa Pig’s Perfect Holiday RMB68.2m.

Traces of Justice, written and directed by Chen Sicheng of the Detective Chinatown series and sold internationally by Far East Films, opened on 1 October and never left the top of the chart. Resident Evil, the Constantin Film and Sony Pictures reboot directed by Zach Cregger, opened on 5 October and held No. 1 for three weekends even as weekly totals thinned. Mr. & Mrs. Pardon (什么意思夫妇), the body-swap comedy from Beijing Joy Fun Pictures, completed a Golden Week trio that together accounted for about 74% of October’s official takings on our calculation.

A tense scene from the 2026 Resident Evil reboot
A still from Zach Cregger’s Resident Evil, China’s No. 2 film in October. Courtesy of Sony Pictures / Constantin Film

More seats, fewer tickets

The admissions and screening lines point in opposite directions. Tickets sold fell by 21.6%, in line with takings, while the number of screenings rose 2.2% to 7.37 million. Average ticket price was about RMB36.60 in both Octobers on our calculation from the official totals, so the revenue drop is almost entirely volume. Exhibitors ran more shows into a smaller audience.

Provincial and city rankings in the same report show the familiar concentration: Guangdong, Jiangsu and Zhejiang led the provinces; Shanghai, Beijing and Shenzhen led the cities. Ruyi was the top cinema circuit by takings in the month, ahead of China Film Digital and China Film South; Lianhe, the circuit linked to Shanghai Film, ranked fourth.

What is not in the report

The monthly report does not break out domestic versus import share for October, nor does it give a year-to-date running total on the same page. Those will come from later China Film Co. or National Film Administration releases. Trade trackers (Maoyan, Lighthouse) had already printed figures around RMB2.046bn before the official report; they match it to the nearest RMB10m.

Our reading

October confirms that China’s 2026 problem is not ticket price. The market is booking more shows and collecting the same average price as a year ago, and still losing more than a fifth of its admissions. For sales agents and financiers, the practical number is the year to date: roughly RMB32bn through October against a 2025 full-year total of RMB51.83bn reported by the National Film Administration in January. The next official monthly report, and China Film Co.’s next quarterly filing, will show whether November’s import and local slate narrows the year-on-year gap.

Sources

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