Friday 6 November 2026

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US motion picture and sound recording jobs rise 3,200 but stay 5.6% below a year ago

The BLS category spans film, TV, cinemas and recorded music, and October’s estimate is preliminary. Publishing lost 4,100 jobs, its sixth monthly fall in a row.

Line chart of US motion picture and sound recording jobs: 456,100 in November 2022, a low of 322,300 in June 2026 and 328,400 in October 2026

US motion picture and sound recording industries: employees on payrolls, seasonally adjusted, January 2019 to October 2026. The last two months are preliminary. Data: US Bureau of Labor Statistics. Chart: FilmBunch, from US Bureau of Labor Statistics data (series CES5051200001, public domain)

Employers in the US motion picture and sound recording industries added 3,200 jobs in October, taking seasonally adjusted payroll employment to 328,400, the US Bureau of Labor Statistics (BLS) reported in its Employment Situation release on Friday 6 November. The gain is small beside a long slide. The category, which the BLS uses for film and television production, post-production, distribution, cinemas and recorded music, is 19,600 jobs (5.6%) below October 2025 and 127,700 (28.0%) below its November 2022 peak of 456,100.

Key facts

  • October 2026: 328,400 employees on payrolls in motion picture and sound recording industries (seasonally adjusted, preliminary), up 3,200 on September’s 325,200
  • Year on year: down 19,600 (5.6%) from 348,000 in October 2025, while total US nonfarm payrolls rose 0.6%
  • Earlier levels: 28.0% below the November 2022 peak, 22.5% below April 2023 (the month before the writers’ strike) and 25.2% below February 2020
  • Neighbouring groups: publishing industries lost 4,100 jobs to 880,000; broadcasting and content providers added 200 to 327,600
  • Whole economy: nonfarm payrolls up 165,000 in October, unemployment at 4.1%

For anyone budgeting a US shoot or hiring crew, the direction matters more than the month. The series has fallen in 26 of the 33 months since January 2024, even as the whole economy added 165,000 jobs in October against a 12-month average gain of 48,000.

What the BLS counted

The figures come from Table B-1 of the Employment Situation release, under the heading “Motion picture and sound recording industries”. That is NAICS subsector 512, which the BLS industry page and the Census Bureau’s classification define as film, video and television production and distribution, cinema exhibition, post-production services and sound recording. It is a wider net than production alone: cinema chains such as AMC Theatres, which reported a record third quarter, have their cinemas counted here.

The count covers employees on payroll records for the pay period that includes 12 October. Self-employed people with unincorporated businesses are excluded, and someone with two jobs is counted twice, according to the BLS technical note. Every figure here is seasonally adjusted; the unadjusted October level was 327,900, 5.1% below a year earlier.

October and September are both preliminary. The BLS revises each month in the next two releases and treats it as final only after the second, so September’s 325,200 may still move. The November report is due on 4 December.

Down since the 2023 strikes, with a small turn

Employment was 423,800 in April 2023. The Writers Guild of America went on strike on 2 May and SAG-AFTRA followed on 14 July. Employment fell to 377,500 in October 2023, recovered to 402,600 by January 2024, then fell again. It is now 74,200 jobs (18.4%) below that January level, while the information sector that contains the category lost 119,000 jobs (4.2%) in the year to October.

This year follows the same pattern in miniature. Employment stood at 346,100 in December 2025 and has lost 17,700 jobs (5.1%) since. It reached 322,300 in June, its lowest since February 2021. July added 8,100, August lost 5,800, September added 600 and October 3,200, leaving the level 6,100 above the June low.

Publishing and broadcasting

Publishing industries lost 4,100 jobs in October to 880,000, a sixth consecutive monthly fall, leaving the group 23,500 (2.6%) below October 2025. Broadcasting and content providers, which includes streaming distributors under the 2022 classification, added 200 jobs to 327,600, still 15,200 (4.4%) fewer than a year earlier.

What the figures do not show

A film crew on a camera rig towed behind a truck beside a white screen on Spring Street in downtown Los Angeles
Archive photo: a film crew prepares a moving-car shot on Spring Street in downtown Los Angeles in February 2013. Crews like this appear in the BLS series only when workers are on a company payroll. Photo: Downtowngal / CC BY-SA 3.0

Table B-1 gives no split inside the film category, so the release cannot say how much of the change is production, cinemas or music. The data are national, not Los Angeles. FilmLA counted 4,171 on-location shoot days in Greater Los Angeles in July to September, 4.8% fewer than a year earlier, a count of activity that says nothing about payroll jobs (our report on California’s tax credit plan has the detail).

Nor can the data be tied to employers. FilmBunch has reported on job cuts at Skydance and Netflix and the reported halving of Hello Sunshine’s staff, but the national series does not show where jobs were lost. The BLS industry page also lists a household-survey unemployment rate for people whose last job was in the category: 19.3% for October, against 10.7% for September. That survey covers about 60,000 households, so a small industry’s figure swings widely and we treat it as a warning sign only.

Our reading

October’s rise can reverse on revision. The firmer signal is that US employers in this category have shrunk since January 2024 while payrolls across the economy grew, and that the post-strike rebound to 402,600 did not hold.

The first test is whether July’s and October’s gains survive revision and extend in the November report. The second is the split between production and the rest of the category, which the BLS table does not give. Policy aimed at the gap, such as California’s proposal to lift its film and TV credit to at least $1bn a year, would show up in shoot-day counts like FilmLA’s before it reaches a payroll series that is revised for two months and benchmarked once a year.

Sources

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