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MOIN awards €4.92m across 31 projects, led by Tuna and Grey Matter

The package combines four funding strands decided on different dates. FilmBunch’s tally separates the production awards from development and distribution support.

Helge Albers stands beside large MOIN letters overlooking Hamburg’s harbour.

Helge Albers of MOIN Filmförderung Hamburg Schleswig-Holstein, whose latest disclosed package supports 31 projects. Photo: Jasper Ehrich / MOIN Filmförderung

MOIN Filmförderung Hamburg Schleswig-Holstein has awarded €4.92m ($5.52m) across 31 film and series projects in a package disclosed on 5 November, including €600,000 ($673,000) for Julia Becker’s Tuna and €550,000 ($617,000) for Mohammad Rasoulof’s Grey Matter. FilmBunch calculated the total from the fund’s published decisions and its consolidated project list; the announcement rounded the package to more than €4.9m ($5.5m).

Key facts

  • FilmBunch-established: the four funding-strand totals sum to €4,920,064 ($5.52m); no in-kind value has been added.
  • High End: seven projects share €2.08m ($2.33m); Director’s Cut: 13 projects share €2,288,266 ($2.57m).
  • Short films: three awards total €90,000 ($101,000); NEST: eight projects share €461,798 ($518,000), without individual allocations disclosed in the announcement.
  • FilmBunch-established: five High End production awards total €1.95m ($2.19m), or 93.75% of that strand’s €2.08m; the remaining €130,000 ($146,000) supports distribution.
  • These are funding awards, not evidence of payment or completed production financing.

The package brings together decisions taken by separate committees, rather than a single November meeting. The High End list dates its decision to 7 October, the Director’s Cut list to 21 October and the short-film list to 23 September. MOIN’s 5 November announcement supplies the consolidated account, including the eight NEST projects. It gives no individual NEST awards or date for that group’s decisions.

The distinction between the schemes is their production-cost threshold. High End handles films and series costing more than €2.5m ($2.81m), alongside cinema documentaries above €1.5m ($1.68m). Director’s Cut handles films and cinema documentaries below those respective levels, MOIN says. The threshold describes which committee considers a project; it is not the size of the subsidy awarded to it.

The production awards

Tuna, produced by Hamburg’s Oma Inge Film, receives the largest single award in the disclosed list. Written by Lena Krumkamp, Becker’s tragicomedy follows a woman running a seven-day Moroccan ultramarathon in memory of her partner. MOIN dates the start of filming to April 2027, with locations including Merzouga and Hamburg.

Run Way Pictures receives the Grey Matter award. Rasoulof’s drama centres on a German-Iranian surgeon whose encounter with a patient opens up her scattered family’s past. The fund says the production will include filming in Hamburg, but does not give a start date.

Maria Schrader’s Arbeit und Struktur, an adaptation of Wolfgang Herrndorf’s book starring Sandra Hüller, receives €250,000 ($281,000). Berthold Wahjudi’s Sommermärchen, funded through Director’s Cut, receives €500,000 ($561,000) and has 29 Hamburg shooting days planned for summer 2027. The same strand awards €400,000 ($449,000) to Detlev Buck and Cüneyt Kaya’s Unter Palmen aus Stahl, starring Helena Zengel, with 25 Hamburg shooting days planned for spring 2027.

The complete disclosed list

The tables reproduce all 31 projects in MOIN’s consolidated announcement, grouped by the relevant decision. Amounts are in euros. A production award does not establish the film’s total budget; distribution support is recorded separately.

High End: 7 projects, €2.08m

TitleDirectorRecipientAward and purpose
TunaJulia BeckerOma Inge Film€600,000, production
Grey MatterMohammad RasoulofRun Way Pictures€550,000, production
Ordinary MenPhilip KochWeydemann Bros.€350,000 ($393,000), production
Arbeit und StrukturMaria SchraderKomplizen Film€250,000, production
Die Hanse Saga (series)Wilfried HaukeIDA Film & TV Produktion€200,000 ($224,000), production
Ghost Song (Geister)Fatih AkinWarner Bros. Entertainment€100,000 ($112,000), distribution
Butterfly – Rückkehr nach Gran CanariaItonje Søimer GuttormsenPort au Prince Pictures€30,000 ($33,700), distribution

Director’s Cut: 13 projects, €2,288,266

TitleDirectorRecipientAward and purpose
SommermärchenBerthold Wahjudiif… Productions€500,000, production
Am Anfang von IrgendwasWilly HansFünferfilm€400,000, production
Unter Palmen aus StahlDetlev Buck, Cüneyt KayaPort au Prince Film & Kultur Produktion€400,000, production
MorpheHilke RönnfeldtNorth Ship Film€390,000 ($438,000), production
Paul und die FlussbandeChloé MazloLuftkind Filmverleih€300,000 ($337,000), production
See You SoonMartin Prinoth, Martina MahlknechtJyoti Film€86,266 ($96,800), production
Elfis GeheimnisMonika TreutFilmgalerie 451€80,000 ($89,800), production
Alles wird wieder so wie früher (working title)Malika Musaevazero one film€40,000 ($44,900), project development
Knut, Bruno, PandaClaudia Tuyết Scheffela group therapy film€36,000 ($40,400), project development
Head to HeadGhasideh GolmakaniGhasideh Golmakani€10,000 ($11,200), completion
Holy Wood DustViktor Kossakovskymindjazz pictures€26,000 ($29,200), distribution
All My SistersMassoud BakhshiLittle Dream Pictures€10,000, distribution
Morgen vor langer ZeitLuise DonschenGrandfilm€10,000, distribution

Short films: 3 projects, €90,000

TitleDirectorRecipient where statedProduction award
The Door In the RiverNana XuNot named in the consolidated list€40,000
Qarbon BabyPopo FanFünferfilm€30,000
May the sun and the dogs be my guideCatalina Gonzalez GonzalezCatalina Gonzalez Gonzalez€20,000 ($22,400)

NEST: 8 projects, €461,798 combined

MOIN identifies the following eight projects but does not publish their individual awards in the consolidated list. Decisions are made by a community of former NEST recipients.

TitleFilmmaker(s) namedCompany where stated
Der König von WellingsbüttelAndi RogenhagenWüste Film
Frau und KolonieSönje StormNot stated
HundstageMarkus Reinhardt, Nathalie EckmannNot stated
Im SpiegelSebastian Winkels, Simon BrücknerPinkmovies
MovingKai Jou LiaoNot stated
Peace, Love and MayhemFelix Ahrens, Sonja SchönemannCURLYPICTURES
The Red ShoesMarita MayerNot stated
Zwischen zwei TürenAshkan Najafi, Hoda MuiniNot stated

What the totals establish

FilmBunch’s cash tally is €2,080,000 + €2,288,266 + €90,000 + €461,798 = €4,920,064. The five High End production awards sum to €1.95m; dividing by that strand’s €2.08m gives 93.75%. Neither calculation includes services or vouchers. The remaining High End awards total €130,000 for distribution.

Dollar equivalents use the ECB reference rate for 5 November, the date of the consolidated disclosure, of €1 = $1.1224. MOIN’s lists do not establish when money was paid, the balance of each project’s finance plan or a release date for the new productions. No new application deadline is disclosed in the announcement.

FilmBunch’s Money & Policy coverage, Germany page and film-funding archive track the wider financing beat.

Our reading

For producers, the package’s composition matters as much as its headline total. The High End decisions provide a defined production contribution to five projects, while two titles receive distribution support. Treating the entire strand as new production finance would overstate what the decisions disclose. The same separation matters in Director’s Cut, where development and completion awards sit alongside production grants.

The NEST list presents a different limit: the eight recipients can be identified, but their shares of the combined allocation cannot. That prevents a title-by-title comparison with the other committees. The disclosed shooting plans give several productions a timetable; they do not settle the remaining financing or show that an award has been drawn down.

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