Thursday 5 November 2026

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Universal brings The Odyssey back to 1,000 North American screens after home release

Christopher Nolan’s $1.8bn epic goes to premium VOD, 4K and DVD on 17 November, then returns to cinemas, IMAX 70mm included, from 11 December.

A warrior in a dark crested helmet, seen from behind, faces a misty battlefield lit by embers, in an image from The Odyssey

An image from Christopher Nolan’s The Odyssey (2026), the top film in Korea from July to September, from the film’s official site. Courtesy of Universal Pictures

Universal Pictures will return Christopher Nolan’s The Odyssey to around 1,000 screens in the US and Canada from 11 December, including IMAX and IMAX 70mm auditoriums, for a limited run that starts more than three weeks after the film reaches homes. Deadline and TheWrap reported the plan on 5 November 2026. The Odyssey goes on premium video on demand, 4K and DVD on 17 November.

Key facts

  • Re-release: from 11 December 2026 on about 1,000 screens in the US and Canada, IMAX and IMAX 70mm included, for a limited time
  • Home release first: premium VOD, 4K and DVD on 17 November 2026
  • Box office to date: $1.8bn worldwide, of which $1.175bn international and $626m in North America (Deadline)
  • IMAX share: TheWrap puts the film’s IMAX and IMAX 70mm gross at a record $550m
  • Studio context: Universal was the first studio past $5bn worldwide in 2026, and past $3bn internationally

Back on the big screen, after the living room

The order is the unusual part. A studio reissue normally comes years after a first run, or ahead of an anniversary. Here the theatrical return follows the home-entertainment window by 24 days, and it lands in the heart of the holiday corridor: TheWrap notes the 11 December date is the weekend before Avengers: Doomsday and Dune: Part Three open. Neither outlet says how many of the 1,000 screens will be IMAX, or whether the run has a fixed end date.

The Odyssey opened on 17 July and topped the worldwide chart for two weekends. Its 172-minute running time and its status as the first feature shot entirely with IMAX cameras have made the premium formats central to its run. Its $626m in North America leaves it second among Universal releases there, behind Jurassic World’s $653.4m from 2015.

The records Universal is selling

Deadline lists the film as Nolan’s highest-grossing title, Universal’s biggest release of all time worldwide and IMAX’s biggest film ever. It is the highest-grossing R-rated film globally, a mark TheWrap says it took from Deadpool & Wolverine. It also ranks tenth among MPA-member releases of all time worldwide, and second for 2026 behind Sony’s Spider-Man: Brand New Day. Abroad, it recently passed Furious 7 as Universal’s highest-grossing international release, and it is still playing in every format outside North America.

Why it matters

Windows are the live argument in exhibition this week. On IMAX’s third-quarter call on 5 November, chief executive Rich Gelfond said he did not understand why Regal and Cinemark will not book Netflix’s The Further Mis-Adventures of Cliff Booth, which opens a 27-day exclusive theatrical run on 29 November, Deadline reported. A studio title coming back to cinemas after home release tests the reverse case: whether premium-format demand survives the film being available at home.

For background, see FilmBunch’s reports on The Odyssey passing $1.17bn outside North America, IMAX’s record third quarter and AMC Theatres’ record quarterly revenue. More under Distribution & Streaming.

Our reading

Universal is treating the IMAX 70mm prints as an event in their own right rather than as part of a sequential window. The figure to watch is the December weekend gross, and whether exhibitors that hold firm on Netflix’s short windows book a title that has already been on sale at home.

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